If I did not know better, I’d say that is a giant smartphone in the pocket of this great circa 1917 cardigan sweater.
But it’s not, so here’s some real news for you.
- “Aside from fixing minor rips and adding a missing button, the garments are unaltered.” Except that they are dyed black.
- “Hedy Strnad sketched dresses in 1930s Czechoslovakia before she was killed in the Holocaust. Now, her drawings have been made into real dresses on display at the Museum of Jewish Heritage in Manhattan.”
- The WWII records of Britain’s Women’s Voluntary Service are to be put online by the Archive and Heritage Collection team of the Royal Voluntary Service. If you’d like to help, there’s a Kickstarter campaign.
- Ugly “late 19th century” jug valued at $50,00 by Antiques Roadshow appraiser turns out to be a 1970s high school art student project.
- Here’s a small look into the Yves Saint Laurent archive.
- I’ve made no secret of the fact that I’d love to own this tiny (extremely over-priced) Louis Vuitton bag, but it is the fact that it is a modern object based on the historic LV product that appeals to me. No other brand need court my favor.
- Stephanie Lake, who owns Bonnie Cashin’s person archive and who recently released a book on Cashin, and Coach, the company Cashin designed bags for from 1962 through 1974 are in a legal battle over the rights to Bonnie Cashin’s name.
- Cone Denim in Greensboro, NC, continues to source natural indigo to produce cloth in their historic White Oak factory. I was surprised that they even sell it to home sewers in smaller amounts.
Great batch of links! Now, what might that be in her pocket?
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Probably a diary. Diaries around that time were about the same size as a phone.
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Yes, a diary, or a book of some sort.
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You have left a stack of useful and potentially expensive links on this page. I promise not to blame you.
And Cashin? What is Coach going to do with her work? Probably one small revival (to validate the claim) and then sit on it. Patent and trademark trolls everywhere.
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Coach actually did a Bonnie Cashin line several years ago. You can still find the items on ebay. So much of the detailing on Coach bags even today can be traced back directly to Cashin’s work there. At the same time, these design details – turn-lock fastener, dog-leash hook, etc – are seen on bags and clothes everywhere. I’d think it would be hard for them to claim any right at all to the copyright, but their protest may keep Lake from getting it.
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I really love that Strnad story! How great that they made some of her designs. If you click through to the Jewish Museum site there’s another link to photos of the made dresses and an archive of her design illustrations. Wonderful!
Buying Victorian clothing, dyeing it black, and selling them at no doubt ridiculously high prices (I’m guessing; I couldn’t find a website with pricing or info) just make me roll my eyes.
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The Strnad exhibition will be traveling, and I hope it makes it to somewhere close to me!
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I firmly believe that the young woman has a cheese grater in her pocket and is not afraid to use it. Bonnie Cashin–can’t we just love her for what she was and what she did and not bring out a new line of clothing under her name? It hasn’t worked out that well for Halston.
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I so agree. Only Bonnie Cashin ever designed under her name, and it would be a shame to change that.
And I love the cheese grater idea!
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Oh, dyeing all of those clothes black in what sounds like a needlessly expensive process, and the NYT passing such a thinly disguised advertorial as an article, for pieces sold “exclusively” in at least six different places. Seems so unimaginitive all around.
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