Category Archives: Vintage Clothing

1970s Design Research and Marimekko Bikini

Here’s a truth about collecting: Sometimes it is easier to effectively collect things that are one hundred years old than it is to collect things one remembers wearing.  When it comes to things within one’s memory, your thoughts can’t help but be clouded by what you actually remember. Does that make sense? Well, here’s an example.

I once went to an exhibition of one woman’s collection of handbags along with her collected contents of what might be in each bag. With the 1900s through the 1950s bags, all was well, but when it got to the late 1960s and the 70s, things seemed to fall apart. I scrutinized each item, as though it was my handbag from that time. It wasn’t until later that I realized that I was reading my own experience into the contents of the bags.

It was a valuable lesson.  But it has also made me very cautious when collecting from my own years of wearing fashion, particularly the 1970s. This helps explain why I have more bathing suits from the 1930s than from the 1970s.

Still, I can recognize the good stuff when I see it. This 1970s bikini is a good example. I first spotted it on the Instagram feed of  Selvedge Fine Vintage, and I knew it was something I needed for the collection.

I don’t remember Design Research from my youth, though I do remember the brand that was most associated with that store, Marimekko. Growing up in North Carolina, we used to joke that we could get a copy of a two year old Seventeen, copy the styles, and be on the cutting edge of fashion. It was the truth. Looking back at Seventeen from 1973 I can see how great and cute the styles were, but none of us in the back-of-beyond would have had the courage to wear most of what the magazine was telling us was stylish.

But I would have worn this bathing suit.

I’ve written about Design Research before, so I won’t repeat the facts here. But what makes them important was their association with Marimekko. My new bikini does not have a Marimekko label, but it’s impossible to deny the connection. This suit, if not from Marimekko, was strongly influenced by the Finnish brand.

This was about as skimpy a bathing suit as I would ever have worn. What makes it really interesting is that built into the pants is a way to make them even smaller.

On the inside of the sides is a drawstring that can make the side a few inches smaller.

So as the bikini continued to shrink, bathing suit makers came up with ways for a wearer to have it both ways.

I have another Marimekko/Design Research item from around the same time, a shirt with a similar print. I’m not stretching the truth when I say that an early 70s woman would have worn this shirt as a cover-up for her black and white swimsuit. Many swimsuit companies were showing matching shirts as bathing suit cover-ups during this time.

All the Marimekko patterns have names, and if anyone recognizes either of these I’d love to know what they are called.

7 Comments

Filed under Collecting, Sportswear, Summer Sports, Vintage Clothing

1960s Emilio Pucci Pants Set

Photo courtesy of Meloo Vintage

I find that I’m a bit of an age snob when it comes to looking for sportswear for my collection. What that means is that I find it to be a lot more exciting to look for items from the first half of the 20th century than for those from the second half.

I think part of the problems is that so much survives from the 1960s and 70s, that I’ve learned to be really picky about what I pick up. If I have got mid 1960s “scooter” dresses on my mind, I could go to etsy, Ruby Lane, and Ebay and have my pick of dozens of items.  Even with high-end garments like those from Italian designer Emilio Pucci, there are hundreds of items listed for sale at any given time.

So, I don’t really search very hard for things made in the last sixty years or so, but when I run across a stellar example, I’m ready to shop. And when Melissa of Meloo Vintage posted this set on Instagram, I fell in love.

For years I’ve been looking for an older Pucci set, from his days on the Isle of Capri, but I’ve not been lucky to find what I wanted. I dumbly passed on a great ski-themed top from the late 1950s, and I’ve been kicking myself ever since. But when I saw this tunic and pants set, I knew I’d found my Pucci set.

It dates a little later, from the early to mid 1960s. Pucci can be difficult to date, as the nature of the prints are outside the whims of fashion. Older prints (from the 1950s) are often on a theme, like the skiing blouse I mentioned. The label used is a big help, and my set has the labels most commonly seen in the 1960s.

I’d love to think that some jet setter bought it in Italy, but instead there is a B. Forman of Rochester label alongside the Pucci one. I have no idea what the little “E” label means.

You can see that a metal zipper was used, but be sure to note the way it was inserted – by hand picking. This is a detail seen more commonly in couture clothing, which this is not. But it does go to show how much more handwork went into high-end ready-to-wear fifty-five years ago than you see today.

The crease in the pants is made permanent by the use of hand picking, and the side seams are secured in the same manner.

What really sold me on this set was the way the print of the tunic was designed specifically to be a top with a scalloped edge. It’s one of things that makes the set so special. Imagine, for contrast, if the tunic was made from the same print, but that it was cut in a willy-nilly manner with no thought to the scallops or to the placement of the center of the design.

What could be more Continental than three-quarters length sleeves with French cuffs?

The bateau neck is actually padded. It’s just one more great detail.

In the late 1960s mainstream fashion caught up with Pucci, and these “psychedelic” prints were everywhere. From what I’ve seen of Pucci garments from the 1970s and later, the print became the design, but in these earlier pieces you can see how Pucci was more than just a bunch of color thrown onto the fabric.

22 Comments

Filed under Collecting, Designers, Sportswear, Vintage Clothing

Late 1950s Catalina Play-Alongs Plus Swimsuit

I found and bought the shirt above so many years ago that I have no recollection or record of its purchase. I know it has to be at least twenty years or so because for a long time it was actually in my closet. But I stopped wearing vintage on a regular basis long ago, mainly because I am so sloppy, and I was afraid of ruining things.

About the same time I began collecting sportswear more seriously, and so the blouse was added to my growing pile of old clothes. I especially loved the label, Catalina Play-Abouts, but since it went into the collection I really haven’t thought much about it.

But, as it so happens, I ran across a set of blouse and bathing suit of this print on etsy. I really wanted the swimsuit, but because I already had the blouse, I decided to think about it before buying. As luck would have it, someone posted just the swimsuit on Instagram, but before I could buy it, the posting disappeared.

By this time I was fairly discouraged, but not so much that I didn’t check the usual vintage venues. And there it was, on etsy, and a bit cheaper than the last one. My luck was improving.

A few days later, another set surfaced on Instagram – this time a bathing suit and matching skirt. But the print was in orange and yellow. But that started me on a further search.

I went back to etsy, and that time a skirt, in blue, surfaced. That brought my set to three matching pieces.

After posting the blouse and the bathing suit on Instagram, Liza of Better Dresses Vintage emailed some newspaper ads she found. The first one for Catalina Play-Abouts was dated 1953, and the last one was from 1960. Best of all, one from 1958 looked a lot like my bathing suit. And even more important was the information that there were also shorts and pedal pushers in the Play-Alongs lines.

After looking all over the internet, I finally found (on Pinterest) this image from a 1959 ad.  I can’t tell what the model is holding, but it might be a shawl or coverup. And I now know the print was made in a matching cabana set for guys.

The addition of this tag is also interesting. The fabric was apparently designed for Catalina, and there is also a copyright statement on the selvage of the fabric that I located in the skirt. And after looking at all the different photos of this fabric in extant garments, I noted that the bathing suits were not all the same design. There were three different suits that I have found.

The buttons on the skirt and blouse are plastic, shaped and painted to resemble bamboo. It’s a nice touch.

So the hunt for more of this line is on. I’m positive they are out there.

 

8 Comments

Filed under Collecting, Sportswear, Summer Sports, Vintage Clothing

1920s Wool Knickers for Women

I’ve wanted (or, rather, needed) a pair of 1920s wool knickers for some time, and so my heart skipped a few beats last week when I finally found a pair. I had been hoping to find a pair with a matching jacket, and even told myself I was going to hold out for a set, but the minute I laid eyes on these I knew I had to add them to my collection.

Why all the fascination with knickers? For one thing, knickers were both the shorts and the slacks for 1920s women and girls. Except for bloomers worn in gym class and at the end of the decade, pajamas worn on the beach, knickers and the similar garment, breeches, were the only options women had for wearing pants in public.

I’ve heard lots of stories from women who were young during the 1920s of how they raided brother’s closet to daringly wear his knickers. But by the early 1920s that was not even necessary, as mass-market catalogs like Montgomery Ward carried knickers for girls and women.

The clothing above is from the 1925 Montgomery Ward catalog. On the left are breeches, and on the right is a pair of wool tweed knickers. Note that both button on the side, on both sides actually, and the front drops for convenience. Whenever I find a photo of a woman wearing knickers I always try to see the closure, but usually it is obscured as you can see in the photo above.  The presence of a front fly would indicate the woman is wearing men’s knickers.

My pair has pockets that hide the buttons of the opening.

The seam edges are secured with an overlock stitch made by an early machine of this type. Overlocking is most commonly seen on sportswear in garments before the late 1960s.

Here’s another pair from Montgomery Ward, this time from the 1930 catalog. You can see that the style is little changed from the ones made five years earlier.  Knickers were more utilitarian than fashion, but soon after 1930 women’s knickers disappeared from catalogs. In their place were shorts, slacks, and pajamas. My 1932 Sears catalog has no knickers at all for women. It does have breeches and ankle-length knicker-like pants for skiing, and even a pair of actual slacks. Times were definitely changing.

I’m still in the market for a great 1920s wool knicker suit if anyone happens upon one.

10 Comments

Filed under 1920s fashion, Camping and Hiking, Collecting, Proper Clothing, Sportswear, Uncategorized, Vintage Clothing

Elisabeth Stewart Swim Set

One of the great things about collecting more recent eras of fashion is that there is so much choice. On the other hand, the existence of so much stuff from the past sixty years or so means that a collector has to really be careful in buying so as not to be distracted by all the choices. I’ve written before about how I really try to limit my acquisitions to the very best examples possible. When it comes to sportswear from the mid 1950s and younger, it pays to be patient and to wait until something really special hits the market.

Spend some time looking at old ads from the past and you’ll quickly see that bathing suit companies didn’t just make bathing suits. All sorts of accessories and matching garments were available to the swimsuit shopper. One such garment was the matching cover-up.

I spotted this set some time ago, and I really fell for it. Not only was the set never worn, but there were three matching pieces. The label was one that was not represented in my collection, and the price was fair.

Elisabeth Stewart was the daughter of Catalina swimsuits owner, Ed Stewart. When Ed sold Catalina in 1956, Elisabeth and her brothers, David and Bill Stewart, opened their own bathing suit business in Los Angeles. At that time swimsuit styles (along with fashion in general) were beginning to change. The hourglass New Look was fading, and straighter lines were showing up. Elisabeth Stewart’s swimsuits reflected this change.

This style bathing suit, with the straight across bodice attached to shorts was made popular by designer Tina Leser who was making swimsuits for Gabar.  Leser was adept at making bathing suits that gave women a bit more coverage. The style must have struck a chord with women because it remains available today, sixty years later.

But the real icing on this bathing suit cake is this matching hat. It looks rather silly on, but it brings out a facet of the set that didn’t really occur to me until I saw the hat on the mannequin. It appears to me that this suit was inspired by the old-fashioned men’s Edwardian striped knit bathing suits, along with the caps worn by Edwardian women bathers.

The label I’m showing is in the hat. Tapoo Hawes was Bill Hawes, a maker of sports hats. The first reference I’ve found to Tapoo was in 1952, in Jet. By looking at some of the hats by Hawes I found for sale, I’d say he continued in business into the 1970s.

Finally, go back to my first photo to make sure you noticed how the design of the fabric was actually achieved through seams. Just beautiful!

6 Comments

Filed under Collecting, Proper Clothing, Sportswear, Summer Sports, Vintage Clothing

1960s Golf Dress: Chippers by Gregg Draddy

We’ve had a lot of cold and rainy days recently, and that means I’ve spent too much time prowling online selling sites looking for things I didn’t realize I had to have. The dress shown here is a great example. I rarely look for and buy Sixties and newer clothing online because there is so much of it selling for reasonable prices in my local markets. But for this golf dress I made an exception.

I wasn’t familiar with this particular label, but it was the details and condition that sold me on this one. Both side seams are open to the waist to show off the little calico shorts beneath. I loved how the calico was also used to trim the scalloped hem and the neckline.

And I guess a bit of nostalgia was in play here because this was exactly the type of dress (we called them scooter dresses) that the girls in my school used to skirt the dress code prohibition of pants for girls. I had several of these in the late Sixties, and I can remember the teachers telling us to wear a scooter dress the next day whenever something was planned that might mean we’d be on the floor.

So if this was just common attire for schoolgirls in 1968, why did I want this as a golf dress?

The back of the dress tells the tale. There is a pocket that has an expandable pleat, perfect for golf balls and tees. There is also a ring sewn to the other side. I really can’t say what the true function was, but I’ve seen men’s golf pants that have a towel holder in the same spot. Could that be it?

After a bit of online searching, I found the answer in a 1969 Golfdom article:

“From Greg Draddy comes the drop waist dress slit up the sides with pants attached. The back pocket is detachable and there’s a towel ring. Some have cowl collars, others a placket; but all have long back zippers. There’s a waffle pique to fall into the category of texture treatment in fabrics. All the dresses retail from $30 to $35.”

One of my favorite things about this dress is that the pocket is removable. If the owner wanted to wear it off the golf course, she could without it screaming “golf dress”.

I think Chipper is a great name for a golf dress, and it also fits in with cute names of the other lines produced by Gregg Draddy: Zizzie, Tizzie, Sassy, and Steppy.  I haven’t found a lot about the Gregg Draddy label, but one of the dresses I found for sale also had a Bergdorf Goodman label, so the brand was not cheap. But I already knew that from examining my dress. The quality is superb, with a complete cotton lining. And if not for the wear on the label, I’d have bet that this dress had never been worn. Just lovely condition.

I wasn’t very successful in searching for Gregg Draddy as a person.  Those familiar with sportswear may recognize the Draddy name, as it was Vin Draddy at American clothing company David Crystal, who brought the Lacoste polo shirt to America in 1950. I did find a photograph of Gregg Draddy and Vin Draddy together with a few celebrities, and I also found a reference to Gregg as a manufacturer. I’m thinking Vin and Gregg were brothers. There are descendants of Vin still around (in the Asheville area, no less) so the answers are out there.

 

15 Comments

Filed under Collecting, Proper Clothing, Summer Sports, Vintage Clothing

Something a Little Different from Jane’s Closet

After all the beige and tan and brown in Jane Hefner’s closet, the playsuit above came as a big surprise. Stylistically it is very similar to her other play sets, but the pattern and color really set this one apart. The only other novelty prints were in her favored muted tones, and while there were a few green items, the red was a real oddity.

It is a great set, probably from 1946 or 47. The little bolero jacket gives it a bit of versatility. But I thought the bra looked to be odd and ill-fitting.

Then I located the problem. There was a little tie that had become separated from the other three pieces. I had already moved on to photographing another garment, and was too lazy to redress the form, but you can see here how that little strip of fabric changes the entire look of the bra.

Color was very popular in clothing and textiles in the post WWII period. Many of the chemicals used in fabric dyes were needed for the war effort, and so colors were limited during that time. But look at any magazine or catalog from late 1945 and you’ll see how color once again played a big part in fashion. And textile designers were not afraid to come up with color combinations that we now can look at as distinctly post war. The red, lime, green, and black in the print of the play set is a great example.

Can you tell how pristine and sharp the colors are? At first I thought the set had been starched, but now I’m thinking that the original sizing of the fabric was never washed out. In other words, Jane never wore this set.

I’m not psychic, but I do know that a buttonhole has to be cut open in order for the button to fit through the hole. The bra fastens  in the back with two buttons, but the holes were never cut all the way through. There’s no way the bra, at least, could have been worn.

And that’s not a bit surprising, because this set is just not Jane’s style. Did she buy it in a moment of weakness, knowing it was fashionable and thinking she could wear something different? Was it a gift from a well-meaning auntie who wanted to see Jane in something colorful? We’ll never know, but it sure added an interesting twist to Jane’s wardrobe.

 

 

5 Comments

Filed under Collecting, Sportswear, Vintage Clothing