Category Archives: Road Trip

Shopping with the Vintage Traveler: Atlanta

As any good trip does, my recent visit to Atlanta involved a bit of shopping for old stuff. Just as a good exhibition is a learning experience, so is a bit of browsing antique markets.  So here’s a bit of what I saw, but did not buy.

I’m not too sure about the practicality of a ceramic flask, but I thought the one above was cute, even if the Scottie was a bit pudgy.

I first did a bit of looking in Chamblee, a town that has been overtaken by the urban sprawl of Atlanta. For years the place has marketed itself as a destination for vintage and antique shoppers, and there are still several very good antique stores there. However, I was really dismayed to find two of my old favorites gone, one a victim of gentrification. What used to be an Aladdin’s cave of treasures is now a cafe and a “design center”.  Still, there was more than enough to spend several hours of looking.

You would think that the bathing cap above would have gone into my shopping cart, but I’m afraid it was a victim of age and deterioration. The rubber was brittle and there were bald spots. A real shame, as this one was really great.

I really blew this one. I was so bummed about the store across the street being gone that I had a hard time concentrating on the good stuff. This is just a great pin, with the DC-3 plane and the two parachutes. What was I thinking?

This was rather cute, and I do love the nautical look, but I had to pass due to the amateurish appearance of the design.

Nothing amateurish about this coat, though. The first tip-off that this was a Bonnie Cashin design was her signature stripe used for the lining. Then there are the turn-lock closures, and the leather trim, and it all adds up.

That stripe is often found in Cashin’s work for Coach. This coat was labeled “A Bonnie Cashin, Sills and Co.”

Click to enlarge.

Besides Chamblee, I was able to fit in a quick trip to the monthly Scott Antiques Market. Scott’s has never been my favorite market, as it tends to cater to the decorator rather than the collector. But there are some very good vendors there, and I have found a few treasures over the years. I wasn’t in the market for a handbag, but this seller also had hankies, including a terrific Tammis Keefe that I did buy.

For those of you who were inspired by the Met gala this year, one seller has you covered when it comes to Christian iconography.

Here’s help for the fashion indecisive in the form of a game.

All that was left of this salesman’s kit was the suitcase.

Most of Scott’s is held inside, but there are also spaces for people to set up outdoors. The seller uttered those magic words, “Feel free to dig.” Unfortunately, most of the stuff was from the 1980s and later.

There were vintage bargains to be had. This dress was an incredible $48.

These were framed fashion sketches made for Laura Ashley in 1970. They were really fantastic, and had price tags to match.

The vintage traveler in me wanted these LV suitcases.

I am a real sucker for crazy quilts, and this is one of the best I’ve seen in a long time. That spider is the absolute best!

And here is part of the reason I don’t make much of an effort to go to the Scott Market more than every three or four years. The market opens at 9 am, but for the first hour many of the vendors are still not open. And this was on the second day of the show. For someone like me who needs to get on the road to home, this is a big inconvenience. Sellers! If you are at a show to sell, you need to be there so I can your stuff.

 

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Filed under Collecting, Curiosities, I Didn't Buy..., Road Trip, Shopping

Liberty Antiques Festival – Spring 2018

It’s officially flea market season. This weekend was one of my favorites – the Liberty Antiques Festival. It never disappoints and this show was especially good. We have been in a rainy pattern here in the Southeast, and often that means dealers leave the textiles at home, but for some reason they all took the chance on the weather. As it turned out, both days of the show were beautiful, if a little on the cool side.

Despite the presence of clothing, I didn’t find anything I needed for my collection, but I did find shoes and skates and a great little pair of “ski-skates”. So, here’s what I saw that was interesting to me, but I didn’t (for the most part) buy.

I loved this, and could see how handy it would be for sorting all my embroidery thread, but where would I put it?

There was a new dealer who had the most fantastic photos. The ones above and below were all in a group from a news service, and were of the rich and famous. Many, like this one, were identified:

The engagement was announced yesterday of Lady de Clifford and Mr. Arthur Stock, of Glenapp Castle, Ballentrae, Ayrshire. Our photo shows Lady de Clifford with Mr. Arthur Stock at Murren in Switzerland.

This group of photos was a real treasure, and needed to be kept together, so there was no way I could afford the thirty-odd photos that were priced at $20 each. A shame.

This is a chromolithograph of the sort that people collected for their scrapbooks. So pretty, but again common sense whispered that the price was too much.

At first glance this looks like an ordinary shirt. But look at the $2 bill and the spoons, and you can see that this is a miniature salesman’s sample.

Flea market rule #14: Every single box of textiles much be thoroughly examined for hidden treasure.

Without a doubt, this is the best way to display vintage hankies I’ve ever seen. Most dealers just pile them in a little box and one has to stand and flip through the entire stack. This way potential buyers can see at a glance if this seller has any hankies of interest.

What about the Nunn-Bush salesman’s case? And it was surprisingly well-made, with nice leather trim.

I may have shown this little boy’s middy and knickers set before, as I’m pretty sure I had seen it previously. I don’t usually buy children’s clothing, but this was a temptation, as it shows a step in the progression of girls and young woman wearing middys for sports.

This scarf was pretty amazing.

I see a lot of overshot coverlets at shows like this one, but rarely one with light blue and red. Very pretty!

This handbag was tiny and made from cardboard. But look at that Scottie.

Here’s proof that I live on the edge. I took this photo to show in this post, but the more I thought about Peter’s Ski Skates, the more I wondered why I didn’t buy them. I even posted a photo on Instagram, hoping that would be enough, but all the enablers over there told me I should have bought them. By that time I realized a smarter somebody had probably scooped them up, but I got back to the seller’s booth and they were still there. He even gave me a generous discount.

Meet Rosco. Unfortunately, he was not for sale.

The show was a bit smaller than last fall’s show, and two of my favorite sellers were not there. Still, I found some fantastic things for my collections, which I’ll be showing off in the coming days.

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Filed under I Didn't Buy..., North Carolina, Road Trip, Shopping

Early Southern Stitchery at MESDA, Winston-Salem, NC

Last weekend it was my great fortune to attend the MESDA Spring Seminar, Stitching a Southern Identity: Defining Female Culture in the Early South. MESDA is the Museum of Early Southern Decorative Arts, and is located at the southern edge of Old Salem, a Moravian town dating to 1766. The museum is located in a converted Kroger supermarket, and dates to 1965.

I signed up for this seminar on a whim. I’d planned to go to Williamsburg, VA for the Costume Society symposium, but a conflict prevented me from getting to make that trip. So this was a bit of a consolation prize, but as it happens, I’m really glad things turned out this way. I was pushed out of my comfort zone of 20th century clothing, and into a field about which I probably knew less than any of the other participants, at least it seemed that way by the learned conversations going on around me. And I can’t remember ever learning so much in two short days.

As the title suggests, this was all about the manufacture and decoration of textiles, mainly for use in the home. Most of the research presented was on samplers and quilts, but we also saw quite a bit of  other types of embroidery and of weaving. Without a doubt, my favorites were the samplers.

The word sampler tends to pull up an image of a school girl practicing her stitchery, and that’s a valid thought. But what was so surprising to me was the skill these girls exhibited in their work. Because girls tended to not only sign samplers, but also recorded their ages, we can see just how young these stitchers were. Even eight-year-olds were doing embroidery that would put me to shame!

Today samplers are valued not just as charming reminders of past childhoods, but also as historical documents. A girls would often include the names of family members, where she lived, important dates. But what is really interesting is how researchers today can look at a sampler and see so much more than the bare facts. This unusual sampler was stitched by Salley Keais, in 1793 in Washington, NC.

Researcher Marquita Reed was able to piece together a very good family history, just from the names and dates on the sampler and through searches in period newspapers. Her research helped explain the mermaid and the ship as it was found that hers was a family in the shipping business.

Another great sampler is this one by Sarah Hatton McPhail of Norfolk, VA. Other samplers of a very similar composition, including one by Sarah’s sister, were known to have been made in the Norfolk area. This tends to suggest that this was the style taught by the girls’ teacher. The fact that similar samplers were produced in the same school is a big help in identifying samplers, and has even led to the discovery of multiple samplers made under the direction of a particular teacher.

This close-up shows just how skilled Sarah was. She was eight years old at the time.

Click to enlarge

This remarkable sampler is part mourning tribute, part family register, and part scrapbook. The stitcher, Mary Ann Colboard, made this sampler in 1821 in Charleston, SC. It is thought that they are mourning the death of Mary Ann’s stepfather. The church is easily recognizable as St. Philips, where Mary Ann was married the year after she completed this work.

We also learned about quilts and other bed coverings. This is part of an album quilt. Each square was made by a different woman, and then put together and quilted by Catherine Palmer, near Charleston in 1848.

The squares were appliqued. Each maker would cut out a design from printed chintz (often combining elements from three of more different prints) and then stitch the new design to a square of cotton. Then it would be assembled and quilted.

Even though this quilt is attributed to Catherine Palmer, it is very possible that she had help in the form of her enslaved workers. Documenting the work of enslaved persons is extremely difficult as their labor was an expected part of the household work and was not often noted. However, careful examination of quilts often reveals that the stitching was done by more than one hand. It stands to reason that these other hands could have been enslaved.

Weaving was another task often carried out by enslaved workers. Again, curators and researchers take what they know about a piece and try to determine whether or not it is possible that the item was made by an enslaved person.

It’s not possible for all the museum’s textile holding to be displayed all the time, but I was really surprised when the curatorial associate opened this cupboard to reveal a trove of handwoven coverlets and blankets.

I was surprised to see a few wallpaper covered bandboxes. For some reason I tend to associate them with the North, maybe because they are so seldom seen for sale here in the South.

Boys of the Powell Family by Samuel Moore Shaver, Knoxville, TN, circa 1850-1869

Just so you won’t get the idea that MESDA is just needlework, here are some details from their great collection of paintings. You will also find furniture, pottery, silverwork, clocks, books, woodwork and architectural elements, and ironwork.

I’ll close with this portrait of Mary Hawksworth Riddell and her daughter, Agnes Riddell. It was painted in the early 1790s by Charles Peale Polk (of the famous Peale family of artists).

I love that this sweet picture includes a basket of needlework.

My thanks to MESDA for such a rewarding experience. You can see more of their collection online.

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Traveling

I’ve never much liked flying, and especially since every ounce of glamour has been squeezed out of the experience. I think the last time I felt special on an airplane was in the early 1990s on a Luthansa flight. I’m glad that flying is not the extravagance that it must have been to these travelers in 1940, but it would be great if people tried a little harder to make the experience tolerable for others. To see the worst of it, check out @passengershaming on Instagram.

I’m always happier when I can drive to an event or destination. Tomorrow I’m headed for Cincinnati where the Midwest Region of the Costume Society of American is holding their annual symposium. Two days of fashion history and museum visits really is my idea of heaven on earth!

 

 

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On the Road

I’m headed off to the coast for a few days with one of my oldest friends, and I only wish we could look as classy as the young woman above, seated with her aunt on a German beach. It may be October, but our Southern beaches are still warm, and there are lots of historical sights to be seen. To see what’s happening, check in on Instagram. I promise not to be too annoying.

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Shopping with the Vintage Traveler – Summer 2017

Could you use a diversion? I thought so. I need one too, and to get my mind off the sorry state of the world, let me share one of my true loves – vintage shopping.

I really haven’t been shopping much this summer, but the few trips I have made have been really, really good. Above, and in the next few photos, you see the Greenville, SC shop of Kate DiNatale. Kate has a full range of vintage clothing, plus home furnishings, all presented in a lovely old building.

It used to be that vintage clothing stores were stuffed to the brim, making finding anything a real chore. And while I do enjoy a good dig, I prefer the experience of shopping in a lovely space where everything is presented to its best advantage. That dress on the left came home with me.

I probably should have gotten this bathing suit, as it has a super Claire McCardell vibe. There was no label, though.

I was also tempted by the cutest giraffe pants ever.

I’m afraid I caught Kate’s two shop assistants sleeping on the job.

Here’s another view of this fabulous space, with lingerie and little black dresses in the background.

If you are in the Greenville area and plan to visit Kate’s shop, set aside a bit of time to also visit her mother’s antique mall, Old Faithful’s. Kate had a booth there as well, with even more great vintage clothing and accessories. Too bad I’m not a “cat person.”

A couple of weekends ago I took in the Virginia Highlands Antiques Market in Abingdon, VA. It’s held every July and August, and it is always an interesting show. Little Lizzie above is actually a doll printed on cotton for you to cut out and sew together. Or, you can paste it to a board and hang it on your wall.

I love old pennants. I don’t know why; I just do.

Here’s an example of my restraint in buying things I do not need, and for which I have no space. I love this little Scottie bookshelf, and seriously contemplated buying it, but I was a real adult and told myself I had nowhere to put it. When I went back to say goodbye to it, the piece had been sold. Not a surprise.

Old quilts always get my attention, if for no other reason than to appreciate the old textiles. I do love a good hexagon.

I was completely taken with this old canvas trunk. I wanted it, badly. I didn’t like the price tag.

No buttons were harmed in the making of these plastic bracelets.

Is this not the best salesman’s sample card ever?

Amazing, size 17 Pro Keds! I could get both my feet in one shoe. I’m pretty sure this is the largest vintage sneaker I’ve ever seen.

 

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National Museum of the US Air Force, Dayton, Ohio

One of the big surprises on our recent trip across the Midwest was the National Museum of the US Air Force. It wasn’t one of my choices, but it did end up being a favorite.  I’ve been in enough military museums to know that there are always plenty of textiles, usually in the form of uniforms, but this one proved to be loaded with things of interest.

The museum is huge, and it begins with the earliest of days of aviation. It is appropriate that the museum is located in Dayton, the home of Wilbur and Orville Wright, pioneers of winged flight.

It’s important to note that the Wright Brothers got started in transportation with their bicycle shop in Dayton. Opened in 1892, by 1896 they were making their own brand of bikes. The bicycle was not just a toy; it was an important method of transport, and was especially embraced by women. I was happy to see an example of a Wright bicycle in the museum, and was especially happy to see that it was a woman’s bike.

Starting with World War I, there were plenty of uniforms on display. Most of these items belonged to Stephen Thompson of Dayton, and includes a sock with a bullet hole. Thompson was shot in the leg and because of the unavailability of medical help, he used his own pocket knife to remove the bullet. The bullet is there somewhere.

These items belonged to Lt. Robert Wanamaker, who survived the war, and Lt. Fred Morton, who did not. Wanamaker was shot down by German ace Ernst Udet who took some of the fabric from Wanamaker’s plane as a souvenir. Even though he was badly injured, Wanamaker autographed the scrap for Udet! When they met again in 1931, Udet returned the fabric to Wanamaker.

When the war ended, many french women embroidered banners in appreciation of all that American squandons had done in service to France.  This illustration by George Barbier was in a 1919 issue of fashion magazine Gazette du Bon Ton.

The museum had a display of six of the banners. I’m sorry this photo is so poor as these were so beautiful.

As expected, there were lots of World War II leather jackets. Members of flight crews sometimes decorated their own jackets, but in many cases there was one member of a crew who became the unofficial designer. The jacket above was worn and decorated by Robert Dean of Dayton. All the bombs are dated and labeled.

Artists at the Walt Disney Studios designed many of the official  squadron insignia.

You can’t really tell, but that is Donald Duck and his nephews on this jacket worn by nurse 1st Lt. Evelyn Ordway, on the bottom right of my photo.

All the above items were worn by nurses, most of whom flew on evacuation missions and tended to the wounded. It’s interesting how different the items the women wore for their work from the official uniforms.

The museum has a large display of items from woman flyers and pilots.

WASP stands for Women Airforce Service Pilots, a paramilitary group of women pilots who were trained to fly non-combat aircraft.

There was also an area dedicated to the Tuskegee Airmen.  This jacket belonged to Colonel Edward Gleed.

There was an interesting exhibit on the Holocaust, and the role of the Air Force in freeing captives in concentration and prisoner of war camps.

On a much lighter note, there was a nice tribute to comedian Bob Hope, who did fifty-seven tours for the USO, entertaining American troops.

During the Korean War, American airmen took to decorating their headgear. At the top, a Korean painter decorated this helmet with scenes from Korean life. The middle cap was painted with the Thunderbirds emblem.  On the bottom cap, Major Joseph Turner kept a record of his 101 missions.

The museum does a really good job of showing a wide range of uniforms and personal artifacts.  Had this museum just contained aircraft, I’ve have been looking for the nearest bar.

But even some of the “planes” were amusing.  This is not a UFO; it’s an Avro Canada VZ-9AV Avrocar, a 1950s attempt at making a vertical takeoff craft. It was an expensive failure, but an fun ending to our visit.

The National Museum of the US Air Force is located at Wright Patterson air Force Base in Dayton, Ohio. It’s free and well worth a visit.

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