Category Archives: Summer Sports

1960s Dulottes by Serbin

Well, it looks like I’m sort of back in business, with a shiny new laptop and a huge learning curve. A lot of changes have occurred to computing in the past eight years and I’m slowly figuring out how to work this new machine. I’m still trying to improve on my photo editing, so please excuse the below par pictures in this post.

I first spotted this great culotte dress on the Vintage Fashion Guild forum. Every week member sellers show off what is new in their shops in a feature called Fresh Vintage, and it’s a great way to see “new” things as they hit the stores. This came from the etsy shop of member Racked Vintage.

At first glance this looks to be a dress, but it is actually a culotte dress, and I’m pretty sure it was designed as a golfing outfit. The front of the skirt is a bit full, which tends to disguise that the skirt is divided.

The back goes even farther with the deception, as there is a skirt panel sewn over the culottes so that from the back it looks like a straight skirt.

My thinking is that the garment would have been very useful in places where the dress code required women to wear skirts in the clubhouse. It would also be useful in transforming from golf course to city street.

Another feature that shows the duo nature of this piece is the large removable pocket. It’s quite necessary when trying to keep up with the paraphernalia of golf, but off the course it just looks a bit odd. So the designer put the pocket on the belt where it slides off and on.

My photos are so poor color-wise. This dress is a very pretty yellow, and the birds, while not always accurately colored, are in nice shades of red, gold, blue and green.

I had never seen this label before this dress, and I love how it hints at the two functions of the dress. The owner got a duo of dresses in one.

I got a bit lucky in researching the label as Serbin had the name dulottes trademarked. At first glance this dress appears to be from the early 1960s, but according the the trademark application, the label was first used in 1967. There are often mistakes in trademark applications, due mainly to the passage of years between the time the name was first used and the time the application was made.  But in this case the first usage and the application both happened in August, 1967, so I’m sure it is correct.

In 1967 and 68 there was a softening of women’s fashion. The mod look was still going strong, especially among the young, but if you look at magazines from the later 60s you see a bit of traditional femininity returning in the form of gathered waists, soft collars, and even ruffles and lace. I’d put this dress in the spring of 1968. Now to find an ad to support that bold claim!

 

 

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The Fairmont Anti-glare Shield – 1920s Sunglasses

For a while now I’ve been looking for some driving goggles. The problem with finding a pair is that I had to first educate myself on what was actually being made and worn for driving in the early days of the automobile. I’ve been collecting photos and catalog pages, but the minute I went to etsy to look at what was available, I became confused.

First of all, not all sunglasses are goggles, and not all goggles are sunglasses. Second, is Steampunk still a thing? Almost every pair of goggles I found were tagged steampunk.  And not all older goggles were meant for motoring. Many were intended for workers who needed eye protection, such as welders.

So what’s a goggle-desiring girl to do? I’ve learned to look at only the listings that have the original box. The great majority of the ones I found were made by the Willson Products Company of Reading, PA. They made eyeglasses, and then branched off into industrial eyewear. A lot can be learned by looking at the information on the boxes. I’ve determined that the great majority of goggles offered for sale on etsy are welding goggles.

But somewhere in my searching, I came across The Fairmont Anti-glare Shield.  Due to the presence of the fantastic box, there could be no question but that these are women’s 1920s driving and sun glasses.

I hope you can tell that the tinted plastic covers only about half of the surface inside the rims. The rest is open. The rims are almost half an inch tick, and are transparent as well.

I tried these on, and was actually surprised at how well I could see through them. The transparent rims distort the vision somewhat, but without them the field of vision would have been too narrow.

I was delighted to see this patent number. The US Patent Office database is completely online and searchable.

And here is the drawing that was submitted with the original patent application. The inventor was Jacob Hillson of Newton, MA. The patent was granted in February of 1925, and by November the Fairmont Optical Manufacturing Company of Boston was advertising the new product in newspapers and magazines nationwide.

The ad above was in the November 1925 issue of Popular Mechanics magazine.

You’ll be happy to know that these glasses also worked when boating.

I’m really happy with these rare 1920s anti-glare shield glasses, but the search for goggles from the early days of motoring goes on.

And for all you dog lovers, here are Bud’s goggles. Bud accompanied Nelson Jackson and Sewall Crocker as they drove across the country in 1903. These are in the National Museum of American History in Washington.

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1920s Sports Bandeau

Sometimes it’s the smallest and simplest vintage item that is the hardest to find. I’ve written in the past about the popularity of the head band, or bandeau, for sports. They are very commonly seen in photos of women tennis players of the 1920s, but a search for one for my collection was proving to be almost impossible. For some time I’ve been coveting one Susan Langley pictured in her book, Roaring 20’s Fashion: Jazz. Her example was new and on the original sales card.

The problem with finding a 1920s sports bandeau is that it is obviously a stretchy knit band, and many women would recognize it as being for the head, but how many would see the specific purpose for which it was designed? I fear than many, when found, are not seen as item of significance. It’s just an old headband.

Thankfully, one etsy seller, O2Vintage, did recognize this little piece and listed it exactly as it is. Through some miracle I found it, and how I have the desired bandeau.

It’s finely knit of silk, and the five little decorative buttons are also made of silk thread wrapped around a base. The condition of this little piece is incredible, and I suspect the wearer was more into fashion than tennis!

Can you see where the band narrows slightly at the back? The wearer would not need nor want as much width where the bandeau is beneath the hair.

In this flat shot the width change is even more obvious. Sometimes we take something simple like a hair band for granted, but even the simplest object can be designed with improvement of use in mind.

From this early 1920s photo it looks as if I should have pulled the bandeau lower across the forehead of my mannequin. A quick look at the rest of my old photos show that these were worn just above the eyebrows, just as a cloche, the current style in hats, would have been worn.

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Elisabeth Stewart Swim Set

One of the great things about collecting more recent eras of fashion is that there is so much choice. On the other hand, the existence of so much stuff from the past sixty years or so means that a collector has to really be careful in buying so as not to be distracted by all the choices. I’ve written before about how I really try to limit my acquisitions to the very best examples possible. When it comes to sportswear from the mid 1950s and younger, it pays to be patient and to wait until something really special hits the market.

Spend some time looking at old ads from the past and you’ll quickly see that bathing suit companies didn’t just make bathing suits. All sorts of accessories and matching garments were available to the swimsuit shopper. One such garment was the matching cover-up.

I spotted this set some time ago, and I really fell for it. Not only was the set never worn, but there were three matching pieces. The label was one that was not represented in my collection, and the price was fair.

Elisabeth Stewart was the daughter of Catalina swimsuits owner, Ed Stewart. When Ed sold Catalina in 1956, Elisabeth and her brothers, David and Bill Stewart, opened their own bathing suit business in Los Angeles. At that time swimsuit styles (along with fashion in general) were beginning to change. The hourglass New Look was fading, and straighter lines were showing up. Elisabeth Stewart’s swimsuits reflected this change.

This style bathing suit, with the straight across bodice attached to shorts was made popular by designer Tina Leser who was making swimsuits for Gabar.  Leser was adept at making bathing suits that gave women a bit more coverage. The style must have struck a chord with women because it remains available today, sixty years later.

But the real icing on this bathing suit cake is this matching hat. It looks rather silly on, but it brings out a facet of the set that didn’t really occur to me until I saw the hat on the mannequin. It appears to me that this suit was inspired by the old-fashioned men’s Edwardian striped knit bathing suits, along with the caps worn by Edwardian women bathers.

The label I’m showing is in the hat. Tapoo Hawes was Bill Hawes, a maker of sports hats. The first reference I’ve found to Tapoo was in 1952, in Jet. By looking at some of the hats by Hawes I found for sale, I’d say he continued in business into the 1970s.

Finally, go back to my first photo to make sure you noticed how the design of the fabric was actually achieved through seams. Just beautiful!

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1960s Golf Dress: Chippers by Gregg Draddy

We’ve had a lot of cold and rainy days recently, and that means I’ve spent too much time prowling online selling sites looking for things I didn’t realize I had to have. The dress shown here is a great example. I rarely look for and buy Sixties and newer clothing online because there is so much of it selling for reasonable prices in my local markets. But for this golf dress I made an exception.

I wasn’t familiar with this particular label, but it was the details and condition that sold me on this one. Both side seams are open to the waist to show off the little calico shorts beneath. I loved how the calico was also used to trim the scalloped hem and the neckline.

And I guess a bit of nostalgia was in play here because this was exactly the type of dress (we called them scooter dresses) that the girls in my school used to skirt the dress code prohibition of pants for girls. I had several of these in the late Sixties, and I can remember the teachers telling us to wear a scooter dress the next day whenever something was planned that might mean we’d be on the floor.

So if this was just common attire for schoolgirls in 1968, why did I want this as a golf dress?

The back of the dress tells the tale. There is a pocket that has an expandable pleat, perfect for golf balls and tees. There is also a ring sewn to the other side. I really can’t say what the true function was, but I’ve seen men’s golf pants that have a towel holder in the same spot. Could that be it?

After a bit of online searching, I found the answer in a 1969 Golfdom article:

“From Greg Draddy comes the drop waist dress slit up the sides with pants attached. The back pocket is detachable and there’s a towel ring. Some have cowl collars, others a placket; but all have long back zippers. There’s a waffle pique to fall into the category of texture treatment in fabrics. All the dresses retail from $30 to $35.”

One of my favorite things about this dress is that the pocket is removable. If the owner wanted to wear it off the golf course, she could without it screaming “golf dress”.

I think Chipper is a great name for a golf dress, and it also fits in with cute names of the other lines produced by Gregg Draddy: Zizzie, Tizzie, Sassy, and Steppy.  I haven’t found a lot about the Gregg Draddy label, but one of the dresses I found for sale also had a Bergdorf Goodman label, so the brand was not cheap. But I already knew that from examining my dress. The quality is superb, with a complete cotton lining. And if not for the wear on the label, I’d have bet that this dress had never been worn. Just lovely condition.

I wasn’t very successful in searching for Gregg Draddy as a person.  Those familiar with sportswear may recognize the Draddy name, as it was Vin Draddy at American clothing company David Crystal, who brought the Lacoste polo shirt to America in 1950. I did find a photograph of Gregg Draddy and Vin Draddy together with a few celebrities, and I also found a reference to Gregg as a manufacturer. I’m thinking Vin and Gregg were brothers. There are descendants of Vin still around (in the Asheville area, no less) so the answers are out there.

 

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Circa 1900 Seaside Promenade Dress

My collecting is expanding slowly back in time, and I’ll be the first to admit that I’m a bit out of my comfort zone when it comes to anything that dates before 1915. But in order to have a comprehensive collection showing how sportswear developed, one must make adjustments, as in the case of this dress. It was love at first sight, and so I added a dress for seaside promenades to my group of antique clothing.

I’ve looked at pictures of old dresses and at old fashion plates until my eyes crossed, and I still could not decide on a date. The sleeves are lighted gathered, the back of the skirt is gathered and has a bit of a tiny train effect, and there is a little peplum at the waist. It will not hurt my feelings at all if you want to help me pin down a date on this pretty dress.

Not quite sportswear, this dress nevertheless was meant for a casual walk along the boardwalk. The collar and fabric stripes fairly scream “nautical”.

Note: the hem looks dirty, but it is not. I’m guessing my stellar photography skills added the dirt.

The bodice has no permanent way to close it, so I’m guessing pins were used. Actually, a former owner had applied velcro, which I removed. I looked for signs of hooks and eyes from the past, but did not detect any old stitch marks. They could have been there, however.

The fabric is a fantastic cotton cord, which adds to the sporty look of the set.

The peplum effect is more pronounced in the back.

Maybe you can see here that the sleeves are gathered. They are also shaped with a bend in the elbow.

I think what really made me want this dress was that I was so crazy about a similar one in the collection at the Museum at FIT. I took this photo of their Uniformity exhibition in 2016. Maybe I need to do a reproduction tie and belt.

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1933 – 1935 Beach Ensemble

One of my biggest splurges of the past year was this four-piece beach or sailing ensemble. After years of building a collection, I’ve learned that it’s better to wait for really special things to come to the market instead of buying a lot of miscellaneous bargains. This set is a good example of what I’m saying. I spent more on it than I normally spend on acquisitions, but it was such a great addition to my collection that I just could not resist.

Here are the first two pieces – a playsuit/bathing suit, and a rope belt. The neck with those fabulous nautical flags ties with the same rope as the belt. The belt buckle is plastic, and it is a small miracle that the thing has survived eighty something years.

I was hoping the flags spelled out a secret message, but I could not find a corresponding message for each flag.

This is also the case for the buckle, or at least I could not find it in any of the charts. Maybe I’m asking too much of an already fabulous article.

The pants could be added for a more covered up look. You might have expected the pants to be more like traditional sailor pants with the front flap and two rows of buttons, but the designer was too creative for that.

Instead she gave us one row of buttons on the side front, with a diagonal line to the crotch. You can’t tell from my photo but the opening actually drapes and overlaps an interior piece, and there are straps (barely visible on waistband) that wrap and button. It’s such a great design.

The last piece is a little red jacket, which by itself would look rather plain. But with the flags draped over the neckline and the belt buckle directly below, no other decoration was needed.

Unfortunately, the bathing suit is not in perfect condition. It obviously got much more wear than the other pieces, and there is an area of damage right on the front. When I received this the holes looked much worse, but I did a temporary repair in which I stitched the visible fabric to the lining.  In an interesting twist, I would never have been able to afford this had it been in perfect condition. The trick is to balance fabulousness and rarity with condition. The fact that there were four coordinating pieces really adds to the scarcity. I often see bits and pieces of former sets that have lost their mates. It’s sad, actually.

Can you tell this is a knit? It’s a very finely knit rayon and looks quite similar to the good nylons used by better lingerie companies starting in the late 1940s. It is sometimes hard to tell the difference between knit rayon and the later nylon, and I’ve seen 1930s knit rayon mislabeled by sellers as nylon.

Dating was made easy due to the single label present. This is the label used when products were made in accordance with the National Recovery Act, or NRA. The act was instituted in 1933, but was found to be unconstitutional in 1935, so there is only a three year window in which items with the NRA eagle symbol could have been made.

 

 

 

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