A report came out several weeks ago about how the pandemic saved podcasting. It seems as if podcast growth had slowed until people with more time to listen and more people with time to record, discovered the medium.
I love the idea of the podcast, but the sad truth is that so many of the ones I’ve tried to listen to just don’t work (at least for me) for various reasons. Some times the production quality is so poor that it’s impossible to hear. One podcast I’ve followed for years has shifted focus from fashion history to modern fashion issues. And another is hard to follow because the hosts spend so much time laughing and I feel like I’ve been left out of the joke.
Maybe that’s why I’m so happy to have discovered Haptic and Hue. The podcaster is Jo Andrews, who is also a handweaver. But the topics go far beyond weaving. Jo covers textiles of all types. And I’m really impressed with the professional nature of the podcast. Jo manages to be conversational without being silly, serious without being stuffy.
You can listen on any podcasting app, or if that’s not your thing, all the episodes are on Jo’s website. There are photos that illustrate each episode, and best of all, a written transcript. That’s great because some of Jo’s guests are French and their English is sometimes hard to follow.
While Haptic and Hue has a very polished, professional feel, I don’t think that’s entirely necessary in order for a podcast to be effective. The best example is Bande à Part, which is a weekly telephone conversation between friends Rebecca Arnold and Beatrice Behlen. Rebecca teaches fashion at The Courtauld, and Beatrice is fashion curator at the Museum of London. Their conversations run the whole range of fashion and arts topics. They are always fun.